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ALL SESSIONS will be stored online so that they may be watched again once the conference is over. They will be available until the 6th of December. Only the people registered in the conference will have access to such recordings, and they may only be watched online (they cannot be downloaded and saved) |
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Wednesday 4th November |
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SESSIONS |
SESSIONS |
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9:00-9:30 OPENING SESSION |
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9:30-10:30 PLENARY SESSION: MONIKA BEDNAREK |
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| CHAIR: Carmen Gregori-Signes | |||
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PANEL 1 (10:30-11:30) LIVE |
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Isabel Durán Giménez-Rico, Sex, Lies, Age and Second Lives in Grace and Frankie |
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Juan González-Etxeberría, As Prostate Enlarges, the Show Must Go On: The Kominsky Method’s Tragicomedy |
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Clara Sánchez Trigo, Social Responsibility of the Woman of Colour, Affective Labour of V in Shameless (US) |
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Q & A (11:30-12:15) CHAIR: Claudia Alonso-Recarte |
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PANEL 2 (12:30-13:30) LIVE |
PANEL 3 (12:30-13:30) PRE-RECORDED |
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Héctor J. Pérez, Cognitive Richness and Serial Ingredients in Vida |
Nieves Alberola Crespo, Food and Identity in Desperate Housewives |
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Maddalena Fedele & Maria-Jose Masanet, The ‘Troubled Rebel Girl’ and the ‘Boy-Next-Door’: The Apparent Inversion of Gender and Love Archetypes in 13 Reasons Why, Élite and Sex Education |
Elena Castellano-Ortolá, The Jargon of Italian-American Mob Bands: A Corpus-Based Case Study of The Sopranos (2nd season) |
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Marco Briziarelli, Christina Blankenship & Susana Martínez Guillem, Fear the Fetish: Media, Monster Capitalism, and the Meta-Discourse of Zombies |
Laura Alvarez Trigo, The Intersectional Heroine of Digital TV Narratives: Intertextuality, Affect and Fandom in She-Ra and the Princess of Power |
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Q & A (13:30-14:15) CHAIR: Joaquin Primo-Pacheco |
Q & A (13:30-14:00) CHAIR: Jesús Romero-Barranco |
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LUNCH BREAK |
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PANEL 4 (16:00-17:00) PRE-RECORDED |
PANEL 5 (16:00-17:00) PRE-RECORDED |
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Miriam Fernández Santiago, Vulnerable: Intersecting Disability and Precarity in the Fourth Industrial Revolution. The Case of Mr. Robot (2015-2019) |
ROUND TABLE: Blanca Arias-Badia, Patrick Zabalbeascoa, Aida Franch Arnau & Rosa Roig, Series Travelling Abroad, Polyglot Series: Translation Studies Hand in Hand with Television Studies |
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Miguel Ángel Jordán Enamorado, From Jane Austen’s Emma to Multiplatform YouTube Webseries Emma Approved |
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María Labarta Postigo, Multilingual Translation of English Idioms in Internet-based TV-series: A Contrastive Approach |
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Q & A (17:00-17:30) CHAIR: Laura Mercé Moreno- Serrano |
Q & A (17:00-17:30) CHAIR: Cristina Santaemilia del Hoyo |
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PANEL 6 (17:30-18:15) LIVE |
PANEL 7 (17:30-18:15) LIVE | ||
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Sofía Medina López, Trauma and the Role of Women’s Body in the Miniseries Unorthodox |
Patricia Palomino-Manjón, ‘These violent delights have violent ends’: The Linguistic Construction of Victim-Survivors of Sexual Violence in Westworld | ||
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Marta Rocchi, Dialogues and Narrative Developments in Apple TV+ Series: See and Servant |
Dina Pedro, The Supernatural Gothic as a Tool for Female Emancipation: Gender Violence and Oppression in the neo-Victorian TV Series Taboo (2017-) | ||
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Q & A (18:15-18:45) CHAIR: Elena Castellano-Ortolá |
Q & A (18:15-18:45) CHAIR: Dina Pedro | ||
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Thursday 5th November |
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PANEL 8 (9:00-10:00) PRE-RECORDED |
PANEL 9 (9:00-10:00) LIVE |
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Patrick Gill, Coherence Effects in Digital TV: The Case of Anthology Series |
Dina Pedro & Patricia Palomino-Manjón, Immigration in neo-Victorian Fiction: Constructing Magical Creatures as the Racial Other in Carnival Row (2019-) |
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| Beatriz Oria, Making Choices: Millennial Angst in Master of None (Netflix, 2015-) |
Denis Newiak, Television’s Substitutional Communities: Late-Modern Isolation and Mediated Closeness
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| Angelo Sollano, Adapting the ‘Expressive Identity’ of Different Local Versions of the Same Character. A Cross-cultural Approach to TV Format BeTipul (In Treatment) |
Gustavo Adolfo Rodríguez Martín, Mr. White, Walter, Walt, or Bitch? — The Role of Forms of Address in Breaking Bad |
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Q & A (10:00-10:30) CHAIR: Miguel Fuster- Márquez |
Q & A (10:00-10:45) CHAIR: Patricia Palomino- Manjón |
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11:00-12:00 PLENARY SESSION: BRETT MILLS |
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| CHAIR: Claudia Alonso- Recarte | |||
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PANEL 10 (12:15-13:15) PRE-RECORDED |
PANEL 11 (12:15-13:00) LIVE |
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Alberto N. García, Chernobyl (HBO, 2019) and the Aesthetics of Sacrifice |
Amaya Fernández Menicucci, Technological Afterlife: Religious Imagery, Digital Reincarnation and the Representation of the Posthuman in Westworld |
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Sarah Hatchuel & Claire Cornillon, The Ethics of Serial Narrative Structures |
Iván D. Todorov, Hypermasculinity and Violence on the Screen
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Paul Mitchell, When Androids are (A)Woken(n): Techno-Gothic Anxieties in Real Humans & Humans |
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Q & A (13:15-13:45) CHAIR: Carmen Gregori- Signes |
Q & A (13:00-13:30) CHAIR: Víctor Huertas-Martín |
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LUNCH BREAK |
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PANEL 12 (15:30-16:15) PRE-RECORDED |
PANEL 13 (15:30-16:30) PRE-RECORDED |
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Sara Díaz Sierra, Produced and Perceived Authenticity in Derry Girls |
Cristina María Tello Barbé, A Corpus-based Analysis of Verbal Violence in the TV Series Peaky Blinders |
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Guillermo Martínez, A Statistical Insight into Script-level Gender Characterization in Netflix Series |
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Verónica Membrive, Representing the North through Humour in Lisa McGee’s Derry Girls |
Manuel Rodríguez-Peñarroja, Complimenting for a Living: We Have Been Warned Against Technological Advances |
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Q & A (16:15-16:45) CHAIR: Laura Mercé Moreno-Serrano |
Q & A (16:30-17:00) CHAIR: Manuel Rodríguez- Peñarroja |
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PANEL 14 (17:00-18:15) LIVE |
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Ana Isabel Zamorano Rueda & Arantzazu Fernández Iglesias, Trespassing the Threshold of Literary Texts: Penny Dreadful as a Multivocal Show of the French Theatre of Horror |
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Estefanía Sánchez Auñón, Anti-Psychiatry in Brad Falchuk and Ryan Murphy’s American Horror Story: Asylum |
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Reto Winckler, Hamlet, Hacked: Mr. Robot as Update, Port and Fork of Shakespeare's Source Code |
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| Víctor Huertas Martín, ‘Read a fucking book!’: Reading for Redemption in Boardwalk Empire (Terence Winter, 2010-2014) | |||
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Q & A (18:15-19:00) CHAIR: Cristina M. Tello Barbé |
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Friday 6th November |
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PANEL 15 (9:00-10:00) LIVE |
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Maricel Oró Piqueras & Katsura Sako, Late-life Friendship in Grace and Frankie: Changing Relationship Paradigms in Old Age? |
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Laura Mercé Moreno-Serrano & Sergio Maruenda-Bataller, ‘My superpower, I actually get it from Mom’: A CADS Analysis of the Cycle of Violence in Big Little Lies |
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Daniela Landert, Only One Chance to Make a First Impression: Characterisation through First Utterances in Pilot Episodes |
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Q & A (10:00-10:45) CHAIR: Paula Rodríguez- Abruñeiras |
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PANEL 16 (11:00-12:00) LIVE |
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Mercedes Díez-Prados & Ana B. Cabrejas-Peñuelas, Daenerys Targaryen’s Language and Identity in Game of Thrones: A Corpus-analysis Study of Her Military Harangues |
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Susan Reichelt, The Multimodal Co-construction of Stance in Telecinematic Discourse |
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Thomas C. Messerli & Miriam A. Locher, Joint K-Drama Viewing: Community Building through Fan Subtitling and Timed Comments on Viki.com |
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Q & A (12:00-12:45) CHAIR: Miguel Fuster- Márquez |
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13:00-14:00 PLENARY SESSION: KAY RICHARDSON |
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| CHAIR: Sergio Maruenda- Bataller | |||
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CLOSING SESSION |
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Organisers, sponsors, collaborators
