Wednesday 19th October |
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SESSIONS |
SESSIONS |
SESSIONS |
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8:30-9:00 REGISTRATION |
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9:00-9:30 OPENING SESSION |
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SALÓN DE GRADOS |
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9:30-10:30 PLENARY SESSION |
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CHAIR: Carmen Gregori-Signes |
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SALÓN DE GRADOS |
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PANEL 1 (SALÓN DE GRADOS · 10:40-12:10) |
PANEL 2 (ROOM 0.1 · 10:40-12:10) |
PANEL 3 (ROOM 1.3 · 10:40-12:10) |
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Mercedes Díez-Prados and Ana B. Cabrejas-Peñuelas, Co-Construction of Gender Roles through Character Interaction in the Most-Watched TV Series: The Case of Daenerys and Tokio |
Brian Goss, Mad Men (2007-2015) and the Road to Ideologised Capitalist Transcendence |
Alicia Ricart Vayá and Miguel Ángel Jordán Enamorado, Analysis of Gender Differences Regarding the Use of Metadiscourse Markers in the Doctor-Patient Interaction of Two American TV Series |
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Sonia Maria Melchiorre, The "Spare-Me-The Word Strategy" in Mainstream TV Series: Scriptwriting, Censorship and LGBT+ Audiences |
Andrea Bernardelli, Watchmen: History, Fiction, and Contemporaneity |
Olivia Badoi, Putting a Stake through the Heart of the Issue: Rewriting the Vampire Narrative in the Context of The Black Lives Matter Movement |
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Andreea Rosca, How Cognitive Linguistics can Help us Decode Phrasal Verbs |
Carolina Toscano, Transgressive Mothering in Working Moms |
Tamara Drummond, From Hart to Hart to Vampire Diaries and Blindspot: (Gender) Identities in American TV Series |
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CHAIR: Sergio Maruenda-Bataller |
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CHAIR: Barry Pennock-Speck |
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CHAIR: Begoña Clavel-Arroitia |
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COFFEE BREAK 12:10-12:40 |
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PANEL 4 (SALÓN DE GRADOS · 12:40-14:10) |
PANEL 5 (ROOM 0.1 · 12:40-14:10) |
PANEL 6 (ROOM 1.3 · 12:40-14:10) |
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Christoph A. Buettner, Domestic Work as a Driver of Gendered Inequalities: MAID (U.S.A., Netflix 2021) |
Carmen Maíz-Arévalo, Out and Proud! A Pragmalinguistic Analysis of Fictional and Real Coming Out Speeches |
José Antonio Calañas Continente, Greenwashing, MeToo-washing, Pink-washing, BLM-washing: Political Correctness, Sensitivity and Rewriting Stories |
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Nieves Alberola, From Rags to Riches or Vice Versa? Food, Poverty and Gender in Wisteria Lane |
Sally Burgess and Sheila María Doniz Linares, Fictional DTVSs as Data for Undergraduate Studies of Socio-Pragmatic and Linguistic Stereotyping |
Paola Attolino, Turning "Diversity" into "Normality": The Idea of "Afroitalianness" in the Netflix Series Zero |
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Timothy Ryan Day, I See a Damaged Planet: Biosemiotics and Reconstituting the Human through Shakespeare in Station Eleven |
María Concepción Brito-Vera and María Luz González-Rodríguez, Crossings and Assemblages of Matter and the Visual in the TV Series Hierro |
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CHAIR: Noemí Barrera-Rioja |
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CHAIR: Mercedes Díez-Prados |
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CHAIR: Andreea Rosca |
LUNCH BREAK 14:10-16:00 |
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PANEL 7 (SALÓN DE ACTOS · 16:00-17:30) |
PANEL 8 (ROOM 0.1 · 16:00-17:30) |
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Guillermo Martinez, A Statistical Insight into Script-Level Gender Characterization in Streaming TV Series |
Joanna Byszuk and Bartłomiej Kunda, Coping Strategies Used by Male Young Adults in Contemporary TV Series |
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Sezen Kayhan, Hinted Homosexuality: Censorship and Control over Turkish Netflix Originals |
Angelo Sollano, From Artificial Feelings through Suffered Womanhood to the Awareness of Being Superior: The (Linguistic) Evolution of Maeve Millay in Westworld |
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Antonio Rivera Arnaldos, Transcultural Narratives: The Case of Spanish "Anime" TV Series |
Albert Martí Ferrer, 'The Waldo Moment' and How Populist Discourse Is Built |
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CHAIR: José Santaemilia-Ruíz |
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CHAIR: Claudia Alonso-Recarte |
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17:40-18:40 PLENARY SESSION |
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CHAIR: Carmen Gregori-Signes |
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SALÓN DE ACTOS |
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Thursday 20th October |
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PANEL 9 (SALÓN DE ACTOS · 9:00-10:30) |
PANEL 10 (ROOM 0.1 · 9:00-10:30) |
PANEL 11 (ROOM 1.3 · 9:00-10:30) |
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Mariana Schwartz, Dressing a Feminist Dystopia: The Costume Design of Station Eleven |
Eulàlia Rubio Panadès, Adult Material: Sexual Violence Representation After #MeToo |
Isabel Córdoba Párraga, Attitudinal Positioning in Sexist Humour: Buffy the Vampire Slayer |
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Andrea Sofía Regueira Martín, "There are Millennials who are like 40": Gen Z and Precarious Transitions to Adulthood in Hacks |
Noemí Barrera-Rioja, How to Get Away with Rape: Privilege and Consent on Anatomy of a Scandal |
Noelia Marques-Cobeta, Homosexuality and Humour: Analysing Stereotypes |
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Anna Bílá, The Multi-Diverse Character of Why Women Kill: A Semiotic Approach |
Verena Minow, Conceptualisations of Fatherhood in The Mandalorian |
Jacopo Pinna and Raimonda Collegiani, Compliments in Sitcoms: Communication between Women and Men in The Big Bang Theory and How I Met Your Mother |
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CHAIR: Cristina Santaemilia |
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CHAIR: Dina Pedro |
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CHAIR: Patricia Palomino-Manjón |
10:40-11:40 PLENARY SESSION |
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CHAIR: Sergio Maruenda-Bataller |
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SALÓN DE ACTOS |
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COFFEE BREAK 11:40-12:10 |
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PANEL 12 (SALÓN DE ACTOS · 12:10-13:40) |
PANEL 13 (ROOM 0.1 · 12:10-13:40) |
PANEL 14 (ROOM 1.3 · 12:10-13:40) |
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Ángel Mateos-Aparicio Martín-Albo, 'No Planet for Old Men': Anti-Boomer Sentiment and the Representation of the Aged in Altered Carbon |
Jorge Martínez-Lucena, The Clinic of Emptiness in the TV Series Euphoria |
Maria T. Soto-Sanfiel and Isabel Villegas Simón, LGTBIQ+ Activism in the Creation of Characters for TV Series |
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Sara Corrizzato and Silvia Cavalieri, "A house is much more than a home. It's family": The Linguistic Construction of Black LGBTQ Identities in Pose |
Pilar Illanes Vicioso, Shifting Docility in Hegemonic Male Bodies in Euphoria |
Javier Acevedo, Queer Virtuality: Identity and Exile in Élite's Online Community |
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Joanna Byszuk, What Makes a Captain: Quantitative Analysis of Discourses of Power across Star Trek Series |
Laura Calvo Gens, Gazing the Desires of Images: Subversions and Revisions through the Visual and Cultural References of Euphoria |
Roberto Huertas Gutiérrez, The Aesthetic of Fanfic and Queer Renegotiations on Historical TV: The Case of Our Flag Means Death and Dickinson |
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CHAIR: Sonia Melchiorre |
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CHAIR: Ana B. Cabrejas-Peñuelas |
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CHAIR: Joaquín Primo-Pacheco |
LUNCH BREAK 13:40-16:00 |
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PANEL 15 (SALÓN DE ACTOS · 16:00-17:30) |
PANEL 16 (ROOM 0.1 · 16:00-17:30) |
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Sofia Duarte, "When things fall apart, we find out who we really are": Human-Animal Hybridity in Netflix's Sweet Tooth (2021-) |
Cristina Santaemilia, "This was my Heartstopper": Fandom Queering and Canon Queerbaiting in Supernatural (2005-2020), Merlin (2008-2012), and Sherlock (2010-2017) |
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Cristina M. Tello, "Hello, I'm fat, You know?": Exploring the Televisual Characterisation of Annie Easton in Shrill |
Valeria Franceschi and Valentina Romanzi, Parental Androids: An Analysis of Non-Normative Care Discourse in Contemporary Televised Science Fiction |
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Diana Ortega Martín, Affects, Effects, and Impacts: The Role of Social Inequality in Shane Meadows' The Virtues (2019) |
María Ángeles Toda Iglesia, Character Formulas and Gender Difference: The Female Helper in CBS's Elementary |
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CHAIR: Carmen Maíz-Arévalo |
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CHAIR: Luisa Chierichetti |
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17:40-18:40 PLENARY SESSION: |
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CHAIR: Joaquín Primo-Pacheco |
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SALÓN DE ACTOS |
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21:30 CONFERENCE DINNER |
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Friday 21st October |
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PANEL 17 (SALÓN DE ACTOS · 9:30-11:00) |
PANEL 18 (ROOM 0.1 · 9:30-11:00) |
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Nadia Gil Abadía, The Postfeminist Fantasy in 30 Rock |
Marianna Lya Zummo, Framing Diversity in Teen Drama: A Case Study |
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Rafael Ventura, Understanding LGBTIQ+ Characters in TV Series |
Xelo Forés Rossell, Sons of Anarchy: Non-Canonical Shakespearean Fiction as Cultural Activism |
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Ana I. Barragán-Romero and Maria-Teresa Gordillo-Rodriguez, The Handmaid's Tale: Feminism, Power and Propaganda |
Marta Rocchi, Lorenzo Cattani and Guglielmo Pescatore, On-Screen and Off-Screen Gender Equality in European Netflix Productions |
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CHAIR: Cristina M. Tello |
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CHAIR: Victor Huertas-Martín |
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COFFEE BREAK 11:00-11:20 |
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PANEL 19 (SALÓN DE ACTOS · 11:20-12:50) |
PANEL 20 (ROOM 0.1 · 11:20-12:50) |
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Reinhold Viehoff, "History in TV series is: male" - A Look at TV Series on History and Their Protagonists |
Paola Brembilla, Social Responsibility or Woke-Washing? Strategies of Inclusiveness in Italian TV Series |
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Kristyn Gorton and Sarah Lahm, Gender and Narrative Complexity in the Half-Hour Television Drama |
Romana Andò and Maria Elena Alampi, A Girls' Eye-View: Exploring Girlhood Media Representations through the Lens of Italian Female Adolescence |
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María Luisa Cerdán Bermejo, Townsend's Comedy-Drama Adapted for a TV Series |
Stefania Antonioni and Chiara Checcaglini, New Girls: Italian Teen Series Challenging Conventional Representations |
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CHAIR: Sofía Duarte |
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CHAIR: Miguel Fuster-Márquez |
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13:00-14:00 PLENARY SESSION: |
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CHAIR: Claudia Alonso-Recarte |
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SALÓN DE ACTOS |
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CLOSING SESSION |